Blog

Every article from Occupy Cinematography.

• The Same Format, Different Arguments: Why Veloso Chose 35mm for Two Completely Different Stories

• The House as Main Character: How Sebastien Goepfert Lit a Building's Psychology

• The First Feature as Translation: How Benjamin Loeb and Emma Benestan Built 'Rose' Without Repetition

• The Experienced Festival DP and the Director's Debut: Why Noah Segan Chose Sam Levy

• Michael Bauman's Intimate Summer on Cape Cod

  Cinematographer Michael Bauman, known for his work with Paul Thomas Anderson, shifts gears to capture the intimate, bohemian spirit of 1975 Provincetown in Matt Johnson's new film, Tony. This article explores his visual approach to crafting a sun-drenched summer on Cape Cod.

• Mandy Walker's Legacy: A Presidential Perspective

  Shelly Johnson, ASC, dedicated his President's Desk column to honor Mandy Walker, ASC, ACS, celebrating her historic tenure as the first female ASC president and her groundbreaking work on films like Elvis.

• Lighting the Web: Jonathan Spencer on Spider-Man Brand New Day

  Jonathan Spencer steps up as main unit gaffer on Spider-Man: Brand New Day, leading a 32-person lighting and grip team alongside DP Brett Pawlak.

• Demystifying the Diagram: How Lighting Schematics Shape Film

  Behind every striking frame lies a carefully orchestrated schematic. We explore how top DPs use lighting diagrams to translate character psychology to screen.

• Building a Blockbuster: Brett Pawlak on Spider-Man Brand New Day

  From Short Term 12 to Marvel's massive canvas, DP Brett Pawlak brings intimate visual storytelling to Spider-Man: Brand New Day alongside an elite crew.

• The Beauty of Broken Glass: Why Master DPs Resurrect Dead Formats

  Explore why top DPs like Robert Richardson, Matthias Grunsky, and PTA revive obsolete cameras and forgotten film stocks to create unique visual signatures.

• Steven Poster's 'Scared to Death': Indie Horror, Big Looks

  Steven Poster, ASC, shot the micro-budget horror-comedy 'Scared to Death' in just 20 days on a Canon C500 Mark II, innovating with his custom Tiffen Black Fog filter to achieve a unique visual style.

• Brett Pawlak Swings into Spider-Man: Brand New Day

  Brett Pawlak, a frequent collaborator with Destin Daniel Cretton, takes on the mantle of cinematographer for Spider-Man: Brand New Day, becoming the tenth DP to shoot the iconic hero in live-action. This article explores the visual legacies of previous Spider-Man DPs and speculates on Pawlak's unique contribution to the franchise's visual style.

• Jamie D. Ramsay's Masterclass in Confined Space Cinematography

  Jamie D. Ramsay's work on *Pressure* showcases how to create visual depth in confined spaces, a technique explored in the August issue of *American Cinematographer*. The issue also features Janusz Kaminski on *Disclosure Day* and highlights nine Rising Stars in cinematography.

• Mastering Moonlight: The Art of Realistic Night Scenes

  Discover how to craft stunningly realistic moonlit scenes using practical techniques like a single HMI PAR and the often-overlooked power of negative fill, transforming your night exteriors.

• EL Zone: Lachman's Exposure Game-Changer

  Ed Lachman's EL Zone, now in Sony Monitor & Control 3.0, revolutionizes exposure with a stop-based system. This innovation, first used on Pablo Larraín's 'El Conde', promises universal clarity for cinematographers.

• Hoyte van Hoytema's IMAX Vision: The Odyssey and Beyond

  Explore Hoyte van Hoytema's groundbreaking work with IMAX, from Interstellar to the all-IMAX Oppenheimer, and discover how his vision is shaping the future of large-format cinema.

• Tim Suhrstedt: A Cinematographer's Enduring Vision

  Tim Suhrstedt, ASC, a veteran cinematographer behind films like The Big Lebowski and Little Miss Sunshine, premiered his latest, The Seekers of Infinite Love, at SXSW 2026. Shot on a Sony Venice 2 with Angenieux Optimo lenses, his continued presence at indie festivals highlights an enduring commitment to the craft and adaptation to new technologies.

• The Ever-Evolving Visual Web of Spider-Man

  Explore the evolving cinematography of Spider-Man films, from Don Burgess to Brett Pawlak, and how eight distinct DPs have shaped the iconic hero's visual legacy. Discover the techniques and philosophies behind each unique interpretation.

• Beyond the Phone: When iPhones Redefine Cinematic Vision

  Explore how visionary directors like Sean Baker, Steven Soderbergh, and Anthony Dod Mantle leverage iPhones to create groundbreaking cinema, transforming mobile technology into powerful artistic tools.

• The Director-DP Conflict: Warwick Thornton on Shooting Wolfram as Both Roles

• The Art of Absence: Why Black and White Endures

  Explore why black and white cinematography endures as a powerful artistic choice, dissecting the deliberate techniques of DPs like Łukasz Żal, Bruno Delbonnel, and Alfonso Cuarón in films like Ida, The Tragedy of Macbeth, and Roma.

• The Enduring Power of the Locked Frame

  Explore the profound impact of the locked frame in cinematography, from Chantal Akerman's Jeanne Dielman to Roy Andersson's unique tableaux, and how this technique transforms audience engagement.

• Larkin Seiple's Vision: IMAX Dreams and Todd-AO Reality

  Larkin Seiple, ASC, envisioned shooting the iconic googly-eyed rocks scene in Everything Everywhere All at Once on IMAX, a plan ultimately thwarted by budget constraints. He pivoted to Todd-AO lenses, demonstrating a master cinematographer's adaptability and creative problem-solving.

• Natasha Braier: Redefining Success Through the Lens

  Natasha Braier, ASC, ADF, known for films like The Neon Demon, rejects the standard industry career ladder, prioritizing artistic integrity over blockbuster pursuits. She founded Deep-Light to empower cinematographers and address the lack of visibility for women in the field.

• Director vs. DP: Navigating the Creative Divide

  The director controls story, the DP controls image, a dynamic ripe for both tension and creative brilliance. This article explores how pre-production planning and on-set etiquette are crucial for navigating this collaboration effectively.

• The Odyssey, The Invite, and the Pursuit of Visual Texture

  Explore the contrasting yet equally impactful camera choices in recent films, from The Odyssey's custom IMAX film cameras to Olivia Wilde's 35mm preference for The Invite, and the vintage lens aesthetic of Obsession. This article delves into the artistic and technical decisions shaping modern cinematography.

• The Enigma of Lynch: Peter Deming's Unconventional Approach

  Peter Deming, ASC, reveals his unconventional collaboration with David Lynch, where meticulous shot listing trumped extensive visual discussions, with lighting choices often emerging from observing rehearsals. This unique approach shaped the iconic visuals of films like Mulholland Drive and Twin Peaks: The Return.

• Yorick Le Saux: The Quiet Master of Observational Cinematography

  Yorick Le Saux, recipient of the Robby Müller Award, is celebrated for his subtle, story-driven cinematography. He masterfully adapts his visual language to diverse auteur directors, always prioritizing close observation and reality over flashy technique.

• Debunking the Anamorphic Myth of The Odyssey

  Debunk the myth that Christopher Nolan's The Odyssey was shot anamorphic, revealing how its IMAX 15/65 format and shallow depth of field create its unique visual aesthetic.

• The Director-Cinematographer Paradox: How Warwick Thornton Works Against Himself

• Victoria: The Unbroken Take That Redefined Realism

  Explore the unprecedented single-take filmmaking of Victoria, contrasting its genuine 138-minute shot with the illusionary continuous takes of films like Birdman and 1917, and delve into the technical mastery of DP Sturla Brandth Grovlen.

• Gen Z's IMAX Obsession: A Cinematic Renaissance

  Gen Z's willingness to pay a premium for IMAX and large-format cinema signals a powerful renaissance for theatrical experiences, validating the artistry of cinematographers and the immersive power of the big screen.

• Black Panther 3: The 70mm Revolution for Wakanda

  Marvel's bold decision to shoot Black Panther 3 natively on 70mm film marks a significant cinematic shift, promising unparalleled visual grandeur for Wakanda. This move presents both immense challenges and exciting creative opportunities for the camera department and its chosen cinematographer.

• Nolan's Practical Magic: The Cyclops of The Odyssey

  Christopher Nolan's 'The Odyssey' showcases his commitment to practical effects with a 60-foot Cyclops, brought to life through animatronics, puppetry, and Bill Irwin's performance, filmed in a Greek cave with live sheep. This approach grounds the myth in a visceral reality, allowing actors to genuinely react to a physical presence.

• Coutard: The Unscripted Eye of the French New Wave

  Explore the revolutionary cinematography of Raoul Coutard, the unscripted eye behind the French New Wave. Discover how his handheld techniques and natural light redefined cinema's visual language.

• Beyond the Gear: The DP's Essential Pouch & Digital Toolkit

  Explore the indispensable analog and digital tools that form the working DP's essential kit, from light meters to pre-visualization apps, and understand their profound impact on precision and artistic control in cinematography.

• Eben Bolter's 'Cape Fear' Leap of Faith: The MiniDV Gamble

  Eben Bolter, ASC BSC, took a significant risk on Apple TV's 'Cape Fear' series, shooting a key scene entirely on a period-accurate MiniDV camera with no digital backup. This bold move highlights his commitment to authentic visual storytelling over modern redundancy.

• DPs Richmond, Mindel, and Kim: A Blockbuster Battle

  July 26, 2024, was a landmark cinematic weekend, showcasing the diverse visual mastery of DPs George Richmond, Dan Mindel, and Shawn Kim across three major releases.

• Gail Daughtry: A Spectrum of Storytelling

  Dive into the vibrant world of Gail Daughtry, where DP Kevin Atkinson and gaffer Sean Smith painted every scene with a specific rainbow hue, a bold narrative choice that pushed the boundaries of cinematic lighting and collaboration.

• Joe Saade: Crafting Intimacy & Breaking Barriers

  Explore the groundbreaking work of cinematographer Joe Saade, from Pakistan's first Cannes film Joyland to the intimate visual language of A Sad and Beautiful World. Discover his unique approach to capturing human connection and emotional depth.

• Goldman Takes on Hogwarts: Crafting Magic with Young Stars

  Emmy winner Adriano Goldman, known for 'The Crown,' is the lead cinematographer on HBO's ambitious new Harry Potter series. He faces unique challenges, including extensive planning around child actors' limited screen time, demanding meticulous pre-visualization and lighting design.

• The City as Lighting Package: Benjamin Loeb's Approach to Zi

• The Unflinching Eye of Schindler's List

  Explore Janusz Kaminski's groundbreaking cinematography for Schindler's List, where handheld black-and-white photography forged an unforgettable, documentary-like visual style. This collaboration with Steven Spielberg launched one of cinema's most iconic partnerships.

• Greig Fraser: The Alchemist of Light and Lens

  Greig Fraser ASC, ACS, is a visionary cinematographer known for pushing boundaries, often collaborating with camera makers to create bespoke tools for his films. From the vintage glass of Rogue One to the custom ALFA lenses for The Batman and unique setups for Project Hail Mary, his work consistently redefines visual storytelling.

• Nolan's Odyssey: Crafting an IMAX Epic

  Christopher Nolan's 'The Odyssey,' shot entirely on IMAX film, features a pivotal image of a soldier decapitating a statue by the Trojan Horse, a vision Nolan held for decades since nearly directing 'Troy.' Cinematographer Hoyte van Hoytema helped bring this ambitious scene to life.

• Ellen Kuras and the Fleeting Light of Memory

  Explore the groundbreaking cinematography of Ellen Kuras, ASC, particularly her work on Eternal Sunshine of the Spotless Mind, and her enduring legacy as a visionary artist and the first woman to receive the ASC Lifetime Achievement Award.

• Anima: The 16mm Bet That Paid Off for Bastos & Ivie

  Matheus Bastos and Brian Tetsuro Ivie's sci-fi film Anima, shot entirely on 16mm with an Arriflex 416 and Cooke lenses, premiered to acclaim at SXSW 2026 for its warm, grainy cinematography. This bold analog choice highlights the enduring power of film in independent cinema.

• Roger Deakins' Golden Hour: The Amber Glow of Blade Runner 2049

  Roger Deakins' long-awaited Oscar for Blade Runner 2049 marked a pivotal moment for cinematography, celebrating his iconic use of amber and blue hues and groundbreaking digital techniques.

• Mastering VFX Plates: A Cinematographer's Guide

  Mastering VFX plates demands precision, foresight, and an understanding of how light, optics, and data converge to build believable cinematic worlds. Cinematographers must prioritize uncompromised image quality, precise technical data, and comprehensive reference material.

• Motor City: Crafting 70s Grit with Modern Digital Tools

  John Matysiak's Motor City masterfully re-creates the gritty 1970s aesthetic using the ARRI ALEXA 35 and Master Anamorphics, proving digital can authentically evoke period looks. His approach emphasizes in-camera period elements like lighting and production design over post-production trickery.

• Atonement: 16mm's Enduring Power in a Digital Age

  Reed Van Dyk's 'Atonement,' shot on Super 16mm by Jon Peter, boldly embraces film's organic texture for its Cannes debut, foregoing digital intermediates to achieve raw authenticity in a war drama.

• Summer of '98: A Cinematographic Crossroads

  A deep dive into the cinematography of the top five films from July 24, 1998, exploring how DPs like Janusz Kaminski, Mark Irwin, and Phil Méheux shaped diverse genres and influenced visual storytelling.

• The Dual Vision of Salvation: B&W Nights, Color Days

  Emin Alper's Salvation, lensed by Ahmet Sesigurgil and Baris Aygen, won the Silver Bear for its daring B&W night and color day cinematography. This article delves into the technical and thematic brilliance of their dual visual approach.

• From Lens to Director's Chair: The DP-Turned-Auteur

  Explore the rich history of cinematographers who transitioned to directing, from Freddie Francis and Nicolas Roeg to Barry Sonnenfeld and Reed Morano. This article delves into how their mastery of visual storytelling as DPs shaped their directorial careers.

• Nolan's Odyssey: The IMAX 70mm Revolution

  Christopher Nolan's 'The Odyssey' marks a cinematic milestone, being the first major studio film shot entirely on IMAX 70mm, a format that redefines immersive storytelling. This article delves into the technical marvels and artistic philosophy behind Nolan's bold commitment to large-format celluloid.

• The Camera Inside the Character's Head: Shooting Mental Collapse on a Moving Bus

• Storaro's Symphony of Color in Apocalypse Now

  Explore Vittorio Storaro's groundbreaking use of color and light in Francis Ford Coppola's Apocalypse Now, a film that earned him his first Academy Award for Best Cinematography. Discover how Storaro's 'writing with light' philosophy, influenced by Goethe's color theory, transformed the Vietnam War epic into a visual masterpiece.

• Candlelight & Magic: DPs Who Mastered Natural Light

  Explore the legendary cinematographers who mastered natural light, from John Alcott's f/0.7 lenses on Barry Lyndon to Jarin Blaschke's candlelit world in The Witch. Discover how DPs harness the sun and flame to create iconic cinematic moments.

• Jarin Blaschke: Crafting Eggers' Visceral Worlds on Film

  Explore Jarin Blaschke's masterful cinematography across Robert Eggers' filmography, from the naturalistic lighting of The Witch to the orthochromatic recreation in The Lighthouse, all captured on film.

• Hoyte van Hoytema: From Rejection to Oppenheimer's Oscar

  Hoyte van Hoytema's journey from film academy rejection to Oscar-winning cinematographer for Nolan's Oppenheimer showcases his mastery of large-format film and immersive visual storytelling. His work on Oppenheimer redefined cinematic scale and psychological depth.